Session 6 – Panels

July 3, 15:30 – 17:30

6A Videogames, Narration, and War

Chair: Hans-Joachim Backe

Cecília Nazaré de Lima, Thaïs Flores Nogueira Diniz and Camila Augusta Pires de Figueiredo (Federal University of Minas Gerais)
The Scramble for Africa In New Interpretations: Poetry, Video Game And Music
Yorimitsu Hashimoto (Osaka University)
Suspended or Suspenseful Torture? A History of Rat Torture and Its Transmedial Representations
Giuseppe Previtali (University of Bergamo)
The Gamification of Terror: The Imaginary of Videogames in the Islamic State’s Media Production
Marina Zagidullina (Chelyabinsk State University, University of Economics and Human Sciences in Warsaw)
Narration Under Multi-Setting Conditions: Transcoding in Hybrid Media-Forms


6C Avant-garde and Artist’s Books

Chair: Helga Mitterbauer

Yara Augusto (Federal University of Minas Gerais)
The Playful Creation Process of O perfeito cozinheiro das almas deste mundo, Diary of Oswald de Andrade’s Garçonnière
Katherine Reischl (Princeton University)
Russian Color Pedagogies: Training Chromatic Judgment
Sirshendu Majumdar (Bolpur College, University of Burdwan)
Word into Picture: Doodles of Rabindranath Tagore


6D Adaptation and/as Transcodification/3

Chair: Alessandra Ruggiero

Davide Burgio (Scuola Normale Superiore – Pisa)
Medial Transposition in The Handmaiden
Jessy Simonini (University of Nantes)
Filming the Arthurian Imaginary: Rohmer’s Perceval Le Gallois
Zahra Nazemi (University of Kermanshah/Universidad de Cordoba)
Revitalization of Othello in the Iranian Shahrzad Series
Silvia Kurr (University of Tartu)
Ekphrastic Transformations of the Nude in Pedro Almodóvar’s The Skin I Live In and Nuala Ní Chonchúir’s Nude


6E Transcoding Music, Sound and Literature

Chair: Serena Guarracino

Yael Balaban, Naphtali Wagner (Beit Berl College/Hebrew University)
Musical Metaphors as Intermedial References
Giulia Bigongiari (University of L’Aquila)
On Song Performance Scenes in Non-Musical Films
Doriana Legge (University of L’Aquila)
A Performance of Sound for an Immersive Theatre
Robert Dean (University of Lincoln)
The Transcodification of Grieg’s ‘Mountain King’ Meme